There’s a giant blue sphere in the sky, and it might be making everyone sick. But at the edges of her life, we see hints that things are not as idyllic as our heroine believes.

Nona makes for a delightful protagonist whose innocent, childlike way of navigating the world feels like a breath of fresh air after two books worth of secrets, betrayals, and ulterior motives. (Even if the water is such that no one should probably do any swimming.) And while she may live in a war-torn city full of poverty and violence, all she wants is a birthday party at the beach. She loves dogs and the ragtag group of three adults (who share two bodies) that have become her family. She loves her job at a local school, and the pack of streetwise kids she’s befriended there. Though she’s only six months old (in a nineteen-year-old body she knows doesn’t belong to her), Nona is a being of simple pleasures. Set over five days during the countdown to an apocalyptic event, Nona the Ninth’s story is initially deceptively mundane. But where Gideon the Ninth ended in tragedy and Harrow the Ninth was a study in grief, Nona the Ninth feels like something altogether different: A story about life, and maybe even a little bit about hope. Characters die, get resurrected, and swap bodies just as easily as ever. To be fair, it also contains just as much violence and cruelty as its predecessors. A book that wasn’t even supposed to exist in the first place-the bones of this story were originally slated for the first act of the upcoming series finale Alecto the Ninth- Nona is the series’ most personal and human.

(It’s worth it, I promise.)īut since the Locked Tomb series as a whole frequently defies description, it shouldn’t shock anyone that its latest installment, Nona the Ninth, does too. It’s truly unlike anything else in science fiction and fantasy, and the best way I can explain its appeal to you is simply to tell you to go read it and find out for yourselves. Muir’s biting, hilarious prose is full of dark subject matter (violent death, creeping body horror, and various bits of effluvia and gore are commonplace) but tons of heart, deftly exploring issues of identity, belonging, love, and family. Part fantasy, part space opera, and part apocalyptic nightmare, the story follows the swashbuckling adventures of bone mages and flesh adepts, cavaliers, skeleton armies, petty bureaucrats, and even God himself. Tamsyn Muir’s Locked Tomb series actively resists easy explanation, a story of impossible loss, love, and grief set in a far-flung universe where necromancers reign in the Nine Houses built on the bones of murdered worlds.

Nona the ninth